The
article “Britten's War Requiem, CBSO, Birmingham” was published by Ivan Hewett on
May 29, 2013. It discussed that The City of Birmingham Symphony Orchestra's
performance of Britten's War Requiem under Andris Nelsons was revelatory.

In
addition, it was an emotional occasion, which gave an extra gravity to the
music. The orchestra the CBSO chorus and the three soloists came together to
perform the piece again, this time in Birmingham’s Symphony Hall
In
fact the clarity of sight and sound was all to the good. They showed up the
special virtues of the conductor, Andris Nelsons, who refused to approach the
work with the reverence it sometimes receives from British conductors. He just
wanted to make it as thrilling and immediate as possible.
The
result was that passages which can sound like a somewhat dim echo of earlier
Britten came up fresh and new. The word “revelatory” is overused in concert
reviews, but there it’s exactly right.
This
added to the work’s expressive amplitude, because it made the sombre moments
stand out in sharper relief. Much depends on the quality of the two male
soloists, and there they were ideally contrasted. Mark Padmore’s tenor captured
the consoling, empathetic element in the piece, while Hanno Müller-Brachmann’s
grainy baritone caught its weight of fatalism and sadness.
In
conclusion, I’d like to say that I have never been at the Symphony Orchestra’s
performance, but now I’ d like to visit it with great pleasure. This article
amazed me, because when I was reading it, I imaged every sound and all the
picture of that performance.
A good article, but the task is to render, not to re-post!
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